
Complications in charcoal



This was the second of the two Warp pitches, based on a story by Will Self. The visuals were quite an immediate response to the story, an attempt to make something repetitive and dreamlike from the visual motifs in the story. The drawings were all made on a makeshift monoprinting press on my kitchen table. A couple are shown above, along with two of the final frames from the storyboards.

The first of two pitches I worked on earlier in the summer for Warp Films and BBC2. These visuals were based on a story about a stand up comedian and his alter ego, his other self. I wanted to create one spotlit world occupied by two people, the self and the shadow of the self. A sort of Jungian version of Live at the Apollo.
Visual tests for Shock Docs season on Viasat Explorer
Captions for Saw on TV1000
Graphics for Two and Half Men for seasonal Viasat reel
Next weekend I am going to be working at the Big Draw in the City of London. More info on the Campaign for Drawing website here
On the 30th May I am going to be running the Bupa 10k in London to raise money for the NSPCC. The training guide described the perfect hand posture as loose and gentle, like 'holding butterflies'.
For some reason I have never read this, although have had this copy for a while. It is in part a confrontation of my 'fear of simplicity'. Explanation needs a long and complicated post involving Yuri Norstein (and probably Freud) which may or may not follow in time, along with some illustrations of the story.